“I see painting as an act of truth-telling — not always literal, but emotional and instinctive”.

“I aim to hold space for introspection, vulnerability, and connection, and to offer a visual language that speaks to the complexities of our time, while inviting viewers to sit with both the discomfort and the beauty of the world we inhabit”.

INanto’s debut series unfolds in two movements — Beneath the Surface and Ashes & Bloom — tracing the full cycle of concealment and renewal. Together, they chart the inward and outward tides of transformation: what happens when the self retreats to survive, and what follows when it dares to re-emerge. The work is rooted in memory and the quiet architecture of resilience — a meditation on how pain, silence, and time can turn loss into becoming.

Beneath The Surface

OIL ON CANVAS

Beneath the Surface marks the first movement: the phase before eruption, when protection remains essential. Figures withdraw, faces blur, and identity drifts toward abstraction. This is not disappearance but preservation — a necessary stillness that shelters what is still forming. The paintings inhabit that fragile threshold where inner life grows dense in the dark, waiting for light.

6. EVERYTHING SUSPENDED - OIL 121 x 91CM

“I often oscillate between the shadows of doubt and the radiance of hope, between the weight of existence and the pursuit of something more meaningful”.

Ashes & Bloom

OIL ON CANVAS

Ashes & Bloom follows as the moment of release; the turning of inward weight into outward bloom. From what was once hidden, color and form re—emerge, carrying traces of what came before. INanto paints from the quiet fractures of memory, transforming them into gestures of renewal. Here, shadow and light balance in dialogue, revealing not perfection, but the beauty of survival, the art of becoming whole again.